return of the former monastery and are refused. Apologies are due for the poor quality of the three images - the huge windows of the Banqueting Hall flooded it with sunlight.
The
paintings include one in which the Lutherans are received in audience
by Count of the day, another in which the keys of an Augustinian
Monastery are handed to the then Count, and yet another in which the
Catholics - defeated in battle- seek from the then Count restoration of
the monastery and are firmly refused. Great great Grandfather Carl Dopmeyer, Sculptor and Wood Carver.
Further
to all this, Conrad Beckmann's Father in Law, Carl Dopmeyer(who I would
imagine had secured the commission for Conrad Beckmann, was a the time,
famous in Germany. He was a Sculptor and Wood Carver, many of his woks
have survived the destruction of the two World Wars. Both of these
talents were employed at Schloss Wernigerode. In the large Chapel, he
had carved the Altar which was very Catholic in design save for the
absence of a Tabernacle. He also carved the outsized (in the Protestant
manner) Pulpit. Not content with these works , he was commissioned to do
the wood carving of the friezes around the courtyard of the Schloss. These are just a sample of the wood carvings - the smaller ones - the total body of the work is very extensive. Schloss Chapel - the Protestant size Pulpit Schloss Chapel the Protestant disproportion between the almost Catholic Altar (but no Tabernacle) is clearly evident.
So
my ancestral association with the Catholic history of the Schloss is
substantial. It was a humbling experience to see the grand achievements
of my Great Great Grandfather and my Great Grandfather, and to see the
regard and respect in which they are maintained.
More information is freely available on my Blogs: edwardbeckmann.blogspot.com/2020/01/an-innocent-abroad-my-memoir-page-1.html
conradbeckmann.blogspot.com/2020/01/imagine-surprise-my-great-grandson-who.html
carldopmeyer.blogspot.com/2019/12/great-great-grandfathers-works-martin.html
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